Mātauranga Māori

Karakia

E Hine

Te reo Maori
Kāore rā ia, e Hine,
He putanga ki Te Tonga,
Nōu anake rā te putanga
Ko Whakahewa-i-te-rangi,
Nāna i kimi ko Poutini, ko Wharaua
Ko Poutini, ko Wharaua,
Ko te wai rā i rere ai te toki
Ka kitea i reira, e tuhi ana, e rapa ana

I raro i Whatukura-o-Tangaroa
Ko Whatu Uira rā tēnā
Ko Whatu ramarama rā tēnā
Ka hewa e rua Tūmata-kurukuru
Tūmata-kārewa,
Homai, whakapiritia ki a Hine-tūā-Hōanga,
Hai oro i te toki
He pua tōtara kauorohia
He pua tōtara kauorohia
Kauorohia te ati tipua
Kauorohia te ati tawhito
Hai whakakoi rā, e Hine
I te mata o te toki
Hai tuatua i te Wao-a-Tāne
I te maramara o Tūkehu
I te tamaiara na Mumuhanga
Hai ara mō taua, kia whiti ai tāua
Ki rāwāhi o te awa, e Hine.
English
Not provided
This is a karakia for grinding/sharpening tools — used by tohunga whakairo. When Rātā ground his adzes on the back of Hine-tūa-hōanga, she spoke "Kia koi! Kia koi!" (Be sharp! Be sharp!)

E rere te kotare

Te reo Maori
E rere te kotare
Ki runga i te puwharawhara
Ruru ai ia o parirau
Kei maku o kuao i te ua
Mao, mao te ua
English
Fly o kingfisher
On to the bunch of astelia
And there shake your wings
Lest your young become wet by the rain
Cease, cease the rain
A simple karakia for tamariki (children) to halt the rain.

I hau noa mai i Hawaiiki

Te reo Maori
Oi ka tākina i te kawa
Ko te kawa nui
Ko te kawa tapu
Ko te kawa tua ngāhuru mā whā
Ko te kawa waerea
Ko te kawa houhou
Ki ā Papatūānuku
Ki ā Papa-Ahurewa
Ki ā Papa-i-te-Aro-Mea
Tū ai te kawa
Owhia te kawa
Kia Tū rau ki te pūkenga tapu i hau noa mai i Hawaiiki

Eke panuku, Eke tangaroa
Whano, whano
Haramai te toki
Haumi e, hui e
Tāiki e!!
English
I commence to settle a foundation
A great one
A continuous one
A sacred one
I draw forward the covenant fourteen
The ritual of clearing
The ritual of refreshing
The purity of Mother Earth
She the eternal shrine
She, the most creative
Bind this covenant
Awaken this covenant
That one may be one hundred
The supreme spirit of Hawaiki

Move forward with intention
Draw together — surge forward
As I draw my sacred adze
By my power I
A karakia of foundation and covenant, calling on the sacred knowledge that came from Hawaiki. References Papatūānuku in her many forms.

Inoi Karaitiana

Te reo Maori
E te Atua
Homai ki a mātou
Tōu māramatanga,
Tōu rangimārie
Tōu kaha, me tōu aroha
Whakaorangia mātou i ngā tini
māuiuitanga
Āke, ake, ake
Āmine
English
Dear Lord
Grant us
Your enlightenment, your peace
Your strength and your love
Save us from all ailments
Forever and ever
Amen
A Christian inoi (prayer) in te reo Māori.

Ka Tākina I te Kawa

Te reo Maori
Oi ka tākina I te kawa

Ko te kawa nui
Ko te kawa roa
Ko te kawa tapu
Ko te kawa tua ngāhuru mā whā
Ko te kawa waerea
Ko te kawa hohou
Ki ā Papatūānuku
Ki ā Papa-Ahurewa
Ki a Papa-i-te-aro-mea
Tū ai te kawa
Owhia te kawa
Kia Tū rau ki te pūkenga tapu i hau noa mai i Hawaiki

Eke panuku, eke Tangaroa
Whano, whano
Haramai te toki
Haumi e, hui e
Taiki e!!
English
I commence to settle a foundation

A great one
A continuous one
A sacred one
I draw forward the covenant fourteen
The ritusal of lcearing
The ritual of refreshing
The purity of Mother Earth
She the eternal shrine
She, the most creative
Bind this covenant
Awaken this covenant
That one may be one hundred
The supreme spirit of Hawaiki

Move forward with intention
Draw together - surge forward
As I draw my sacred adze
By my power I gather you all

Ka takina te kawa

Te reo Maori
Ka takina te kawa
Ka takina te kawa
Ko te kawa tuatahi
Ko te kawa tuarua
Ko te kawa tuatoru
Ko te kawa tapu ki a Tane mahuta
O-I te kiri a Tane, ko te takapau o Ranginui
O-I te kiri a Tane, I mau ki te kakawa o te pupuke
O-I te kiri a Tane, ka mahutatia te Rangimareikura
Tenei te kiri ka rurukutia,
Ka rurukutia ki te whitinga
Ki te urunga
Ki te rakinga
Ki te tonga o atua
Ka rurukutia ko te aronui
Ko te tuauri
Ko te tuatea
Kia eketia nga pae tuangahuru-ma-rua a kahukura
Whano, whano, haramai te toki!

Haumi ē! Hui ē! Tāiki ē!
English
Not provided
A karakia relating to Tāne's ascension to retrieve the three baskets of knowledge (ngā kete o te wānanga).

Karakia mo te Toki

Te reo Maori
Toki nui te toki
Toki roa te toki
Ko te toki nā Tu tēnei toki
Ki te toki nā Rongo

Ueue te mana
Ka hinga te rākau, ka takoto kei roto
Kei ngā mano i runga i raro
Ka pā te toki kei Hawaiiki
Ka patu ka noa
Tēnei te hau o te tonga
Ko te hau mātaratara
Waerea ki runga
Waerea ki raro takoto

Whāno, whāno,
Ara mai te toki

Haumi ē! Hui ē! Tāiki ē!
English
The adze is immense
The adze is extensive
The adze belongs to Tū & Rongo
Who possess the adze

The power and might exude from the adze
Sending Tāne plummeting to the ground
Witnessed by the myriads above and below
Bind this adze as it ritualistically impacts in timeless Hawaiiki

There is the vital essence combined in Tū and Tāwhirimātea
So that clarity, light, peace and order prevail above and below
Lie down, ready to be resurrected in carved form.

Haumi ē! Hui ē! Tāiki ē!
A karakia for the toki (adze) — the sacred tool of the tohunga whakairo. Calls on the combined powers of Tū and Rongo, linking the mana of the carver with the source of all spiritual power.

Kia tau ki a tātou katoa

Te reo Maori
Kia tau ki a tātou katoa
Te atawhai o tō tātou Ariki, a Ihu Karaiti
Me te aroha o te Atua
Me te whiwhingatahitanga
Ki te wairua tapu
Ake ake ake,
Amine
English
May the grace of the Lord Jesus Christ
And the love of God
And the fellowship of the Holy Spirit
Be with you all
Forever and ever
Amen
A Christian closing karakia from the Paipara Tapu (Māori Bible), 2 Corinthians 13:14. The translation of the New Testament into Māori was led by William Williams of the Church Missionary Society, producing the first complete Māori New Testament in 1837.

Kia turuki whakataha ai

Te reo Maori
Kia whakairia te tapu
Kia wātea ai te ara
Kia turuki whakataha ai
Kia turuki whakataha ai
Haumi e. Hui e. Tāiki e!
English
Restrictions are moved aside
So the pathway is clear
To return to everyday activities
A closing karakia (whakakapi) used to lift tapu and clear the way for return to everyday life.

Nau mai e ngā hua

Te reo Maori
Nau mai e ngā hua
o te wao,
o te ngakina,
o te wai tai,
o te wai Māori.

Nā Tane
Nā Rongo
Nā Tangaroa
Nā Maru

Ko Ranginui e tū iho nei
Ko Papatūānuku e takoto nei
Tūturu o whiti ka whakamaua kia tina! TINA!
Hāumi e! Hui e! TĀIKI E!
English
Welcome the gifts of food
from the sacred forests
from the cultivated gardens
from the sea
from the fresh waters

The food of Tane
of Rongo
of Tangaroa
of Maru

I acknowledge the sky father who is above,
the earth mother who lies below,
Let this be my commitment to all!
Draw together! Affirm!
A karakia used before eating kai to pay respect to ngā atua Māori: Tāne, Rongo, Tangaroa, Maru, Ranginui & Papatūānuku.

Pounamu te moana

Te reo Maori
Kia hora te marino
Kia whakapapa pounamu te moana
Hei huarahi mō tātou i te rangi nei
Haumi ē, hui ē, tāiki ē!
English
May peace be widespread
May the seas be as flat as pounamu
To provide a path for us today
Join, group, and affirm
A karakia whakatuwhera (opening karakia) wishing peace and a clear path for those gathered.

Rata Ware

Te reo Maori
Rata ware, Rata ware
I tuatua noatia e koe
Te wao tapu nui a
Te maramara I rere noa ki tawhiti
Awhitia mai kia piri, kia tata
Uenuku tū, Uemuku ara
Poutū mai
Kiri ora, kiri tū, kiri maranga!!
Ki te whei ao, ki te ao mārama!
English
Rata, Rata dishonourable
You who cut down extensively
The great sacred forest of
The chips that flew afar
Cherish and embrace these
Return and replace these
And stand tall again
Come alive! Stand, Arise!!
To the glimmer of dawn, to the world of light!
In Māori mythology, Rata went into the forest to cut down a great tree to build a canoe, but he forgot to perform the proper rituals and show respect to Tāne-mahuta (the god of the forest). Consequently, the forest spirits and birds (te tini o te Hākuturi) put the tree back together overnight. When Rata returned, he found the tree standing perfectly whole again.This specific part of the story features the ritual chant used by the forest spirits to magically gather the flying wood chips and resurrect the fallen tree.

Rukuhia te ata te whakairo

Te reo Maori
Rukuhia te ata te whakairo
Rukuhia te ata o te wānanga
Rukuhia te ata o te wharekura.
Whano, whano, hari mai te toki,
Haumi e, hui e, tāiki e!
English
Delve deep into the image of carving,
Delve deep into the essence of knowledge,
Delve deep into the image of the schooling,
Proceed! Advance! Welcome the adze!
Unite! Assemble the (vessels), ribs and hull!
This karakia encourages people to seek knowledge and understanding deeply. It uses the imagery of carving and traditional learning spaces to represent the process of gaining wisdom and skill. The final lines call for everyone to move forward together, welcome the tools of learning, and unite as one, symbolizing cooperation and collective growth. This is a karakia used widely across Aotearoa by those starting their journey into whakairo (carving) and those who are adept at the art form.

Tūtawa mai

Te reo Maori
Tūtawa mai i runga
Tūtawa mai i raro
Tūtawa mai i roto
Tūtawa mai i waho

Kia tau ai
Te mauri tū
Te mauri ora
Ki te katoa

Haumi ē, hui ē, tāiki ē!
English
Summon the heavens (spiritual realm)
Summon the ground (earthly realm)
Summon from within (inner self)
Summon from outside (physical self)

Be settled
The active life force
The flourishing life force
Of us all

Join, group together, and affirm
Written by Scotty Morrison. Used by many schools to centre and call on energy and vitality from the universe. A karakia for unity, introducing the four locations — above, below, inside and outside.

Unuhia, unuhia

Te reo Maori
Unuhia, unuhia
Unuhia ki te uru tapu nui
Kia wātea, kia māmā te ngākau, te
tinana, te wairua i te ara tangata
Koia e Rongo whakairia ake ki runga
kia tina
TINA!
Haumi ē, hui ē, tāiki ē!
English
Take off, withdraw,
Take off the supreme sacredness
To clear, to free the heart, the body
and the spirit of mankind
O Rongo suspend it on high,
Bind it and make it so
Join, group, and affirm
A closing karakia that speaks to Rongo, the atua of peace. 'Unuhia' means to draw on or pull out — here implying the removal of tapu from meetings that have taken place.

Urua ki te rā

Te reo Maori
Urua urua ki te rā
Wera wera ki te rā
Ko te ata ka ihia, ko te ata ka hōpara

Ko te ata ka pakaru
Ko te ata ka tū!
Reremai te ihiihi
Reremai te wanawana
Reremai tamanui o waho
Reremai tamanui te rā
Whano, whano
Haramai te toki
Haumi e, hui e
Tāiki e!
English
Reach up to the sun
Warm, warm in the sun
The dawn that is breathed upon, the dawn that spreads wide

The dawn that breaks
The dawn that stands!
Come forth the awe
Come forth the reverence
Come forth the great one from without
Come forth the great sun
Proceed, advance
Welcome the adze
Join, gather
It is done!
A karakia for the start of the day as the sun rises. Consider it also metaphorically as the transition from te pō ki te ao mārama — from not knowing to knowing. The awakening of the light of knowledge entering a once dark place of potential.

Waerea kia pure

Te reo Maori
Waerea i runga
Waerea i raro
Waerea kia pure
Waerea kia para

Tiraki ana te kapua mōkinokino
Manaha ana te whenua taurikura
Tārake a Nuku, tīhore a Rangi

Kia mahea te hua mākihikihi
Tūturu whakamaua kia tina Tina!
Haumi ē! hui ē! tāiki ē!
English
Clear it above
Clear it below
Clear so it is purified
And it is free

The gloomy clouds lift and the
bountiful land is clear
The land is cleared and the skies
have peeled open

Let the way forward be free
Clear the path for us to walk upon
Bind it and make it so!
Join, group, and affirm
A karakia using metaphors from the taiao (natural world) to cleanse negativity and free a path for those present. The gloomy clouds represent ailments and negativity; the bountiful land represents opportunity and a way forward. References Ranginui and Papatūānuku.

Waerea te tupua

Te reo Maori
Waerea, waerea
Waerea ki runga
Waerea ki raro

Waerea ki roto
Waerea ki waho
Waerea ki ā Ranginui
Waerea ki ā Papatūanuku

Tuku atu e tama
Kia puta ki te Tāwhangawhanganui o Rongo

E a mai te tupua

Ko Tūwhakahekenuku
Ko Tūwhakahekerangi
Ko tō manawa
Ko tōku manawa
Ka irihia
Uhi, wero
Oi oi te mauri
Haumi e, hui e
Tāiki e!
English
Clear all above (calm the mind)
Clear below (clear the anxiousness in the stomach)

Clear within (settle the spirit)
Clear without (the physical vessel)
Cleanse Ranginui
Cleanse Papatūānuku

By my ability I send all negativity
To the far reaches of the great abode of Rongo

Bring to an ending all suffering with the power of awe

Send the greatness of the earth
Send the greatness of the heavens
With my heart
With your heart
We suspend them
We unify them as one
A life sparks anew and rises
With new breath that gathers
It binds us as one
A powerful clearing karakia working through the six directions — above, below, within, without, Ranginui, and Papatūānuku. Calls on Rongo, atua of peace, to remove negativity.

Whakapainga ēnei kai

Te reo Maori
E te Atua
Whakapainga ēnei kai
Hei oranga mō ō mātou tinana
Whāngaia hoki ō mātou wairua ki te taro o te ora
Ko Ihu Karaiti tō mātou Ariki
Ake ake ake,
Amine
English
Lord God
Bless this food
For the goodness of our bodies
Feeding our spiritual needs also with the bread of life
Jesus Christ, our Lord
Forever and ever
Amen
A Christian karakia said before eating kai.

Whakataka te hau

Te reo Maori
Whakataka te hau ki te uru
Whakataka te hau ki te tonga
Kia mākinakina ki uta
Kia mātaratara ki tai
E hī ake ana te atākura
He tio, he huka, he hauhū
Tihei mauri ora!
English
Get ready for the westerly
and be prepared for the southerly.
It will be icy cold inland,
and icy cold on the shore.
May the dawn rise red-tipped on ice,
on snow, on frost.
Sneeze, it is life!
One of the most well-known karakia timatanga (opening karakia) in Aotearoa. Used to begin gatherings, meetings, and the start of the day.

Pūrakau

How Māui brought fire to the world

Te reo Maori
Kaore i whakaratoa
English
Author: Wiremu Grace

One evening, after eating a hearty meal, Māui lay beside his fire staring into the flames. He watched the flames flicker and dance and thought to himself, "I wonder where fire comes from."

Māui, being the curious person that he was, decided that he needed to find out. In the middle of the night, while everyone was sleeping, Māui went from village to village and extinguished all the fires until not a single fire burned in the world. He then went back to his whare and waited.

The next morning there was an uproar in the village.

"How can we cook our breakfast, there's no fire!" called a worried mother.

"How will we keep warm at night?" cried another.

"We can't possibly live without fire!" the villagers said to one another.

The people of the village were very frightened. They asked Taranga, who was their rangatira, to help solve the problem.

"Someone will have to go and see the great goddess, Mahuika, and ask her for fire," said Taranga.

None of the villagers were eager to meet Mahuika, they had all heard of the scorching mountain where she lived. So Māui offered to set out in search of Mahuika, secretly glad that his plan had worked.

"Be very careful," said Taranga. "Although you are a descendant of Mahuika she will not take kindly to you if you try and trick her."

"I'll find the great ancestress Mahuika and bring fire back to the world," Māui assured his mother.

Māui walked to the scorching mountain to the end of the earth following the instructions from his mother and found a huge mountain glowing red hot with heat. At the base of the mountain Māui saw a cave entrance. Before he entered, Māui whispered a special karakia to himself as protection from what lay beyond. But nothing could prepare Māui for what he saw when he entered the sacred mountain of Mahuika.

Mahuika, the goddess, rose up before him, fire burning from every pore of her body, her hair a mass of flames, her arms outstretched, and with only black holes where her eyes once were. She sniffed the air.

"Who is this mortal that dares to enter my dwelling?"

Māui gathered the courage to speak, "It is I, Māui, son of Taranga."

"Huh!" Yelled Mahuika. "Māui, the son of Taranga?"

"Yes the last born, Māui-tikitiki-a-Taranga."

"Well then, Māui-tikitiki-a-Taranga, welcome, welcome to the essence of the flame, welcome my grandchild."

Mahuika stepped closer to Māui, taking a deep sniff of his scent. Māui stood completely still, even though the flames from Mahuika's skin were unbearably hot.

"So... why do you come, Māui-tikitiki-a-Taranga?" Mahuika finally asked.

Māui said, "The fires of the world have been extinguished, I have come to ask you for fire." Mahuika listened carefully to Māui, and then she laughed. She pulled a fingernail from one of her burning fingers and gave it to him.

"Take this fire as a gift to your people. Honour this fire as you honour me."

So Māui left the house of Mahuika taking with him the fingernail of fire.

As Māui walked along the side of the road he thought to himself, "What if Mahuika had no fire left, then where would she get her fire from?"

Māui couldn't contain his curiosity. He quickly threw the fingernail into a stream and headed back to Mahuika's cave.

"I tripped and fell," said Māui. "Could I please have another?"

Mahuika was in a good mood. She hadn't spoken to someone in quite some time and she liked Māui. She gladly gave Māui another of her fingernails.

But Māui soon extinguished this fingernail as well and returned to Mahuika with another excuse.

"A fish splashed my flame as I was crossing the river," Māui said.

Mahuika provided another of her fingernails, not suspecting that she was being tricked.

This continued for most of the day until Mahuika had used all her fingernails and had even given up her toenails. When Māui returned to ask for another, Mahuika was furious. She knew Māui had been tricking her and threw the burning toenail to the ground.

Instantly Māui was surrounded by fire and chased from the cave.

Māui changed himself into a hawk and escaped to the sky, but the flames burned so high that they singed the underside of his wings, turning them a glowing red.

Māui dived towards a river, hoping to avoid the flames in the coolness of the water, but the immense heat made the water boil.

Māui was desperate. He called on his ancestor Tāwhirimātea for help. "Tāwhirimātea atua o ngā hau e whā, āwhinatia mai!"

Then, a mass of clouds gathered and a torrent of rain fell to put out the many fires. Mahuika's mountain of fire no longer burned hot.

Mahuika had lost much of her power, but still she was not giving up. She took her very last toenail and threw it at Māui in anger. The toenail of fire missed Māui and flew into the trees, planting itself in the Mahoe tree, the Tōtara, the Patete, the Pukatea, and the Kaikōmako trees. These trees cherished and held onto the fire of Mahuika, considering it a great gift.

When Māui returned to his village he didn't bring back fire as the villagers had expected. Instead he brought back dry wood from the Kaikōmako tree and showed them how to rub the dry sticks together forming friction which would eventually start a fire. The villagers were very happy to be able to cook their food once more and to have the warmth of their fires at night to comfort them.

Māui satisfied his curiosity in finding the origin of fire, although he very nearly paid the ultimate price in doing so. To this day the Kahu, the native hawk of Aotearoa, still retains the red singed feathers on the underside of its wings, a reminder of how close Māui was to death.

This is the story of how Māui brought fire to the world.

Whakataukī

Ko au te whenua, ko te whenua ko au.

Te reo Maori
Ko au te whenua, ko te whenua ko au.
English
I am the land, and the land is me.

Waiata

Purea nei

Te reo Maori
Purea nei e te hau
Horoia e te ua
Whitiwhitia e te rā
Mahea ake ngā pōraruraru
Makere ana ngā here.
E rere wairua, e rere
Ki ngā ao o te rangi
Whitiwhitia e te rā
Mahea ake ngā pōraruraru
Makere ana ngā here.
English
Cleansed by the wind
washed by the rain
and warmed by the sun,
all troubles are cleared away
and all restraints got rid of.
Fly oh free spirit, fly
to the clouds in the heavens,
warmed by the sun,
with all troubles cleared away
all restrictions cast aside.
Composed by Hirini Melbourne (Ngāi Tūhoe). A whakawātea (cleansing and freeing of restrictions) using metaphors of wind, rain and sun. Suitable for closing a hui in almost any setting.
Open audio

Tūtira mai ngā iwi

Difficulty
Easy
Tuning
Standard EADGBe
Capo
None
Strumming
D UD UD UD U
Te reo Maori
Tūtira mai ngā iwi
Tātou tātou e
Tūtira mai ngā iwi
Tātou tātou e
Whāia te māramatanga
me te aroha, e ngā iwi
kia tapatahi
kia kotahi rā
tātou tātou ē
English
Line up together, people
All of us, all of us.
Stand in rows, people
All of us, all of us.
Seek after knowledge
and love of others - everybody!
Be virtuous
And stay united.
All of us, all of us
This song was written by Wi Te Tau Huata (Ngāti Kahungunu) in the 1950's. This waiata encourages unity and is a happy upbeat tune. This waiata may become less appropriate in a more sombre setting, but is perfect to conclude more positive hui.
Open audio

Tūtira mai ngā iwi

Te reo Maori
Tūtira mai ngā iwi
Tātou tātou e
Tūtira mai ngā iwi
Tātou tātou e
Whāia te māramatanga
me te aroha, e ngā iwi
kia tapatahi
kia kotahi rā
tātou tātou ē
English
Line up together, people
All of us, all of us.
Stand in rows, people
All of us, all of us.
Seek after knowledge
and love of others - everybody!
Be virtuous
And stay united.
All of us, all of us
Written by Wi Te Tau Huata (Ngāti Kahungunu) in the 1950s. A happy, upbeat waiata encouraging unity. Perfect to conclude positive hui. May be less appropriate in sombre settings.
Open audio

Whakaaria mai

Difficulty
Easy
Tuning
Standard EADGBE
Capo
None
Strumming
Slow DD UU
Te reo Maori
Whakaaria mai
Tōu rīpeka ki a au
Tiaho mai
Rā roto i te pō
Hei konā au
Titiro atu ai
Ora, mate,
Hei au koe noho ai [Repeat]
Āmine.
English
Show your cross to me Let it shine
there in the darkness
To there, I will be looking In life, in
death
Let me rest in Thee
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Open audio

Whakaaria mai

Te reo Maori
Whakaaria mai
Tōu rīpeka ki a au
Tiaho mai
Rā roto i te pō
Hei konā au
Titiro atu ai
Ora, mate,
Hei au koe noho ai
Āmine.
English
Show your cross to me
Let it shine
there in the darkness
To there, I will be looking
In life, in death
Let me rest in Thee
A hīmene (hymn) using the tune of 'How Great Thou Art'. A loose translation of the 5th verse of 'Abide with Me', composed by Scottish Anglican Minister Henry Francis Lyte in 1847. Often used at tangi but not restricted to sombre occasions.
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Pūrākau

The Curse of Manaia

Te reo Maori
Kaore i whakaratoa
English
(Ko Manaia, ko Kuiwai)

WHEN the Tainui and the Arawa sailed away from Hawaiki with Ngatoro-i-rangi on board, he left behind him his younger sister, Kuiwai, who was married to a powerful chief named Manaia. Some time after the canoes had left, a great meeting of all the people of his tribe was held by Manaia, to remove a tapu, and when the religious part of the ceremony was ended, the women cooked food for the strangers.

When their ovens were opened, the food in the oven of Kuiwai, the wife of Manaia, and sister of Ngatoro-i-rangi, was found to be much under done, and Manaia was very angry with his wife, and gave her a severe beating, and cursed, saying: 'Accursed be your head; are the logs of firewood as sacred as the bones of your brother, that you were so sparing of them as not to put into the fire in which the stones were heated enough to make them red hot? Will you dare to do the like again? If you do I'll serve the flesh of your brother in the same way, it shall frizzle on the red-hot stones of Waikorora.'

And his poor wife was quite overcome with shame, and burst out crying, and went on sobbing and weeping all the time she was taking the under-done food out of the oven, and when she had put it in baskets, and earned them up to her husband, and laid them before him, she ate nothing herself, but went on one side and cried bitterly, and then retired and hid herself in the house.

And just before night closed in on them, she cast her garments on one side, and girded herself with a new sash made from the young shoots of the toetoe, and stood on the threshold, and spread out her gods, Kahukura, Itupawa, and Rongomai, and she and her daughter, and her sister Haungaroa, stood before them, and the appearance of the gods was most propitious; and when her incantations were ended, she said to her daughter: 'My child, your journey will be a most fortunate one.' The gods were then by her bound up in cloths, and she hung them up again, and returned into the house.

She then said to her daughter: 'Now depart, and when you reach your uncle Ngatoro, and your other relations, tell them that they have been cursed by Manaia, because the food in my oven was not cooked upon the occasion of a great assembly for taking off a tapu, and that he then said: "Are the logs in the forest as sacred as the bones of your brother, that you are afraid to use them in cooking; or are the stones of the desert the kidneys of Ngatoro-i-rangi, that you don't heat them; by and by I'll frizzle the flesh of your brother on red-hot stones taken from Waikorora." Now, my child, depart to your uncle and relations; be quick, this is the season of the wind of Pungawere, which will soon waft them here.'

The women then took by stealth the gods of the people, that is to say, Maru, and Te Iho-o-te-rangi, and Rongomai, and Itupawa, and Haungaroa, and they had no canoe for their journey, but these gods served them as a canoe to cross the sea. For the first canoes which had left Hawaiki for New Zealand carried no gods for human beings with them; they only carried the gods of the sweet potatoes and of fish, they left behind them the gods for mortals, but they brought away with them prayers, incantations, and a knowledge of enchantments, for these things were kept secret in their minds, being learnt by heart, one from another.

Then the girl and her companions took with them Kahukura, and Itupawa, and Rongomai, and the other gods, and started on their journey; altogether there were five women, and they journeyed and journeyed towards New Zealand, and, borne up by the gods, they traversed the vast ocean till at last they landed on the burning island of Whakaari, and when daylight appeared, they floated again on the waters, and finally landed on the northern island of New Zealand, at Tawhiuwhiu, and went by an inland route, and stopped to eat food at a place whence they had a good view over the plains, and after the rest of the party had done eating, Haungaroa still went on, and two of her companions teased her, saying: 'Holloa! Haungaroa, what a long time you continue eating'; and those plains have ever since been called Kaingaroa, or Kaingaroa-o-Haungaroa (the long meal of Haungaroa). Haungaroa, who was much provoked with the two women who thus teased her, smote them on the face, whereupon they fled from her, and Haungaroa pursued them a long way, but she pursued in vain, they would not come back to her, so by her enchantments she changed them into Ti trees, which stand on the plains whilst travellers approach them, but which move from place to place when they attempt to get close (and the natives believe that the trees are there at the present day).

Then the other three women continued their journey, and they at length reached the summit of a hill, and sat down there to rest themselves, and whilst they were resting, Haungaroa thought of her mother, and love for her overcame her, and she wept aloud--and that place has ever since been called Te Tangihanga, or the place of weeping.

After they had rested for some time, they continued their journey, until they reached the open

summit of another high hill, which they named Piopio, and from thence they saw the beautiful lake of Roto-rua lying at their feet, and they descended towards it, and came down upon the geyser, which spouts up its jets of boiling water at the foot of the mountain, and they reached the lake itself, and wound round it along its sandy shores; then leaving the lake behind them, they struck off towards Maketu, and at last reached that place also, coming out of the forests upon the sea-coast, close to the village of Tuhoro, and when they saw the people there, they called out to them: 'Whereabout is the residence of Ngatoro-i-rangi? And the people answered them: 'He lives near the large elevated storehouse which you see erected on the hill there'; and the niece of Ngatoro-i-rangi, saw the fence which surrounded his place, and she walked straight on towards the wicket of the fortification; she would not however pass in through it like a common person, but climbed the posts, and clambered into the fortress over its wooden defences, and having got inside, went straight on to the house of Ngatoro-i-rangi, entered it, and going right up to the spot which was sacred, from his sitting on it, she seated herself down there.

When Ngatoro-i-rangi's people saw this, one of them ran off with all speed to tell his master, who was then at work with some of his servants on his farm, and having found him he said: 'There is a stranger just arrived at your residence, who carries a travelling bag as if she had come from a long journey, and she would not come in at the gate of the fortress, but climbed right over the wooden defences, and has quietly laid her travelling-bag upon the very roof of your sacred house, and has walked up and seated herself in the very seat that your sacred person generally occupies.'

When the servant had ended his story, Ngatoro at once guessed who this stranger from a distance must be, and said: 'It is my niece'; and he then asked: 'Where is Te Kehu?'--and they told him, 'He is at work in his plantation of sweet potatoes.' And he bid them fetch him at once, and to be quick about it; and when he arrived they all went together to the place where his niece was, and when he reached her, he at once led her before the altar, and she gave them the gods which she had brought with her from Hawaiki.

Then she said to them: 'Come now, and let us be cleansed by diving in running water, and let the ceremony of Whangai-horo be performed over us, for you have been cursed by Manahua and his tribe.'

When they heard this they cried aloud, and tore off their clothes, and ran to a running stream and plunged into it, and dashed water over themselves, and the priests chanted the proper incantations, and performed all the prescribed ceremonies; and when these were finished they left the stream, and went towards the village again, and the priests chanted incantations for cleansing the court-yard of the fortress from the defilement of the curse of Manaia; but the incantations for this purpose have not been handed down to the present generation.

The priests next dug a long pit, termed the pit of wrath, into which by their enchantments they might bring the spirits of their enemies, and hang them and destroy them there; and when they had dug the pit, muttering the necessary incantations, they took large shells in their hands to scrape the spirits of their enemies into the pit with, whilst they muttered enchantments; and when they had done this, they scraped the earth into the pit again to cover them up, and beat down the earth with their hands, and crossed the pit with enchanted cloths, and wove baskets of flax-leaves, to hold the spirits of the foes which they had thus destroyed, and each of these acts they accompanied with proper spells.

The religious ceremonies being all ended, they sat down, and Ngatoro-i-rangi wept over his niece, and then they spread food before the travellers; and when they had finished their meal they all collected in the house of Ngatoro-i-rangi, and the old men began to question the strangers, saying: 'What has brought you here? Then Kuiwai's daughter said: 'A curse which Manaia uttered against you; for when they had finished making his sacred place for him, and the females were cooking food for the strangers who attended the ceremony, the food in Kuiwai's oven was not well cooked, and Manaia cursed her and you, saying: "Is firewood as sacred as the bones of your brethren, that you fear to burn it in an oven? I'll yet make the flesh of your brothers hiss upon red-hot stones brought from Waikorora, and heated to warm the oven in which they shall be cooked." That curse is the curse that brought me here, for my mother told me to hasten to you.'

When Ngatoro-i-rangi heard this, he was very wroth, and he in his turn cursed Manaia, saying: 'Thus shall it be done unto you--your flesh shall be cooked with stones brought from Maketu.' Then he told all his relations and people to search early the next morning for a large totara tree, from which they might build a canoe, as they had no canoe since Raumati had burnt the Arawa.

Then the people all arose very early the next morning, and with them were the chosen band of one hundred and forty warriors, and they went out to search for a large Totara tree, and Kuiwai's daughter went with them, and she found a great Totara tree fallen down, and nearly buried in the earth; so they dug it out, and they framed a large canoe from it, which they named 'The Totara tree, dug from the earth'; and they hauled it down to the shore, and, launching it, embarked, and paddled out to sea, and the favourable wind of Pungawere was blowing strong, and it blew so for seven days and nights, and wafted them across the ocean, and at the end of that time they had again reached the shores of Hawaiki.

The name of the place at which they landed in Hawaiki was Tara-i-whenua; they landed at night-time, and drew their canoe up above high-water mark, and laid it in the thickets, that none might see that strangers had arrived.

Ngatoro-i-rangi then went at once to a fortified village named Whaitiri-ka-papa, and when he arrived there he walked carelessly up to the house of Kuiwai, and peeping in at the door, said that she was wanted outside for a minute; and she, knowing his voice, came out to him immediately; and Ngatoro-i-rangi questioned her saying: 'Have you anything to say to me, that I ought to know? And she replied: 'The whole tribe of Manaia are continually occupied in praying to their gods, at the sacred place; they pray to them to bring you and your tribe here, dead; perhaps their incantations may now have brought you here.' Then Ngatoro asked her: 'In what part of the heavens is the sun when they go to the sacred place?'--and she answered: 'They go there early In the morning.' Then Ngatoro-i-rangi asked her again: 'Where are they all in the evening?'--and she replied: 'In the evening they collect in numbers in their villages for the night, in the morning they disperse about.' Then, just as Ngatoro-i-rangi was going, he said to her: 'At the dawn of morning climb up on the roof of your house that you may have a good view, and watch what takes place.' Having thus spoken, he returned to the main body of his party.

Then Ngatoro related to them all that his sister had told him; and when they had heard this, Tangaroa, one of his chiefs, said: 'My counsel is, that we storm their fortress this night'; but then stood up Rangitu, another chief, and said: 'Nay, but rather let us attack it in the morning.' Now arose Ngatoro, and he spake aloud to them and said: 'I agree with neither of you. We must go to the sacred place, and strike our noses until they bleed and we are covered with blood, and then we must he on the ground like dead bodies, every man with his weapon hid under him, and their priests will imagine that their enchantments have brought us here and slam us; so shall we surprise them.' On hearing these words from their leader they all arose, and following him in a body to the court-yard of the sacred place, they found that the foolish priests had felt so sure of compelling their spirits by enchantments to bring Ngatoro and his tribe there, and to slay them for them, that they bad even prepared ovens to cook their bodies in, and these were all lying open ready for the victims; and by the sides of the ovens they had laid in mounds the green leaves, all prepared to place upon the victims before the earth was heaped in to cover them up, and the firewood and the stones were also lying ready to be heated. Then the one hundred and forty men went and laid themselves down in the ovens dug out of the earth, as though they had been dead bodies, and they turned themselves about, and beat themselves upon their noses and their faces until they bled, so that their bodies became all covered with blood, like the corpses of men slain in battle; and then they lay still in the ovens: the weapons they had with them were short clubs of various kinds, such as clubs of jasper and of basalt, and of the bones of whales, and the priests whom they had with them having found out the sacred place of the people of that country, entered it, and hid themselves there.

Thus they continued to lie in the ovens until the sun arose next morning, and until the priests of their enemies, according to their custom each day at dawn, came to spread leaves and other offerings to the gods in the sacred place, and there, to their surprise, these priests found the warriors of Ngatoro-i-rangi all lying heaped up in the ovens. Then the priests raised joyful shouts, crying: 'At last our prayers have been answered by the gods; here, here are the bodies of the host of Ngatoro and of Tama' lying heaped up in the cooking places. This has been done by our god--he carried them off, and brought them here.' The multitude of people in the village hearing these cries, ran out to see the wonder, and when they saw the bodies of the one hundred and forty lying there, with the blood in clots dried on them, they began to cry out--one, 'I'll have this shoulder'; another, 'And I'll have this thigh'; and a third, 'That head is mine'; for the blood shed from striking their noses during the previous night was now quite clotted on their bodies; and the priests of those who were lying in the ovens having hidden themselves in the bushes of the shrubbery round the sacred place, could not be seen by the priests of the town of Manaia when they entered the sacred place, to perform the fitting rites to the gods.

So these latter cried aloud, as they offered thanksgivings to the gods for having granted their prayers, and for having fulfilled their wishes; but just as their ceremonies were finished, the priests of the war party of Ngatoro-i-rangi rushing out of their hiding places upon the other priests, slew them, so that the priests were first slain, as offerings to the gods. Then arose the one hundred and forty men from the ovens, and rushed upon their enemies: all were slain, not one escaped but Manaia, and he fled to the town; but they at once attacked and carried the town by assault, and then the slaughter ceased. And the first battle at the sacred place was called Ihu-motomotokia, or the battle of 'Bruised Noses'; and the name of the town which was taken was Whaitiri-ka-papa, but Manaia again escaped from the assault on the town. They entered the breaches in the town as easily as if they had been walking in at the door of a house left open to receive them, whence this proverb has been handed down to us: 'As soon as ever you have defeated your enemy, storm their town.' The priests now turned over the bodies of the first slain, termed the holy fish, as offerings set apart for the gods, and said suitable prayers, and when these ceremonies were ended the conquerors cooked the bodies of their enemies, and devoured the whole of them; but soon afterwards the warriors of the other towns of Manaia which had not been assaulted, were approaching as a forlorn hope to attack their enemies.

In the meanwhile Ngatoro-i-rangi and his warriors, unaware of this, had retired towards their canoe, whilst the host of warriors whom Manaia had again assembled were following upon their traces. They soon came to a stream which they had to pass, and fording that they left it behind them, and gained their canoe, but by the time they were there their pursuers had reached the stream they had just left.

Ngatoro-i-rangi now felt thirsty, and remembered that they had no water for the crew of the canoe, so he said: 'There is no water here for us'; and Rangitu hearing the voice of his commander, answered cheerfully: 'No, there is none here, but there is plenty in the stream we have just crossed.' So they gave the great calabash of the canoe to Rangitu, and he returned towards the stream, but before he got there the host of Manaia had reached it, and had occupied its banks.

Rangitu, who did not see them, as soon as he got to the edge of the stream, dipped his calabash to fill it, and as it did not sink easily, being empty and very light, he stooped down and put his hand upon it to press it under the water; and whilst he was holding it with one hand to press it down, one of the enemy, stealing on him, made a blow at him with his weapon. Rangitu saw nothing, but merely heard the whizz of the weapon as it was sweeping down through the air upon his head, and quick as thought be jerks the calabash out of the water, and holds it as a shield in the direction in which he heard the blow coming down upon him; the weapon is parried off from one side of his head, but the calabash is shattered to pieces, and nothing but the mouth of the vessel which he was holding is left in his hand.

Then off he darts, fast as he can fly, and reaches before the enemy Ngatoro-i-rangi and his one hundred and forty warriors; as soon as he is thus sure of support, in a moment he turns upon his foes. Ha, ha! he slays the first of the enemy, and carries off his victim. Then lo! Tangaroa has risen up, he is soon amongst the enemy, he slays and carries off the second man. Next, Tama-te-kapua kills and carries off his man; thus is it with each warrior; the enemy then breaks and flees, and a great slaughter is made of the host of Manaia, yet he himself again escapes with his life. The name given to this battle was Tarai-whenua-kura.

Having thus avenged themselves of their enemies, they again returned to these islands and settled at Maketu, and cultivated farms there. Manaia, on his part, was not idle, for shortly after they had left his place of residence, he, with his tribe, set to work at refitting their canoes.

Ngatoro-i-rangi, in the meantime, occupied the island of Motiti, off 'Tauranga, in the Bay of Plenty. There he built a fortified village, which he named Matarehua, and a large house ornamented with carved work, which he named Taimaihi-o-Rongo; and he made a large underground store for his sweet potatoes, which he named Te Marihope; and he and his old wife generally lived nearly alone in their village on Motiti, whilst the great body of their people dwelt on the mainland at Maketu; whilst the old couple were in this way living on Motiti, suddenly one evening Manaia, with a large fleet of canoes and a whole host of warriors, appeared off the coast of the island, and they pulled straight up to the landing-place, opposite to the house of Ngatoro-i-rangi, and lay on their paddles there, whilst Manaia hailed him, calling out: 'Ho! brother-in-law, come out here if you dare, let us fight before the daylight is gone.' Ngatoro-i-rangi no sooner heard the voice of Manaia, than he came boldly out of the house, although he was almost alone, and there be saw the whole host of Manaia lying on their paddles at the anchorage off his landing-place; but he at once hailed them, shouting out: 'Well done, O brother-in-law, just anchor where you are for the night, it is already getting dark, and we shall not be able to see to meet the edge of one weapon with the other; the warriors could not, therefore, parry one another's blows; to-morrow morning we will fight as much as you like.' Manaia no sooner heard this proposal, than he assented to it, saying: 'You are right, it has already grown dark.' And Ngatoro answered him: 'You had better bring-to your canoes in the anchorage outside there.' Manaia therefore told his army to anchor their canoes, and to lose no time in cooking their food on board; and the priest Ngatoro-i-rangi remained in his fortress.

All the early part of the night Ngatoro-i-rangi remained in the sacred place, performing enchantments and repeating incantations, and his wife was with him muttering her incantations; and having finished them, they both returned to their house, and there they continued to perform religious rites, calling to their aid the storms of heaven; whilst the host of Manaia did nothing but amuse themselves, singing Hakas and songs, and diverting themselves thoughtlessly as war parties do: little did they think that they were so soon to perish; no, they flattered themselves that they would destroy Ngatoro-i-rangi, having now caught him almost alone.

So soon as the depth of night fell upon the world, whilst Ngatoro and his aged wife were still in the house, and the old woman was sitting at the window watching for what might take place, she heard the host of Manaia insulting herself and her husband, by singing taunting war-songs. Then the ancient priest Ngatoro, who was sitting at the upper end of the house, rises up, unloosens and throws off his garments, and repeats his incantations, and calls upon the winds, and upon the storms, and upon the thunder and lightning, that they may all arise and destroy the host of Manaia; and the god Tawhiri-ma-tea harkened unto the priest, and he permitted the winds to issue forth, together with hurricanes, and gales, and storms, and thunders and lightnings; and the priest and his wife harkened anxiously that they might hear the first bursting forth of the winds, and thunders and lightnings, and of the rain and hail.

Then, when it was the middle space between the commencement of night and the commencement of the day, burst forth the winds, and the rain, and the lightning, and the thunder, and into the harbour poured all the mountainous waves of the sea, and there lay the host of Manaia overcome with sleep, and snoring loudly; but when the ancient priest and his wife heard the rushing of the winds and the roaring of the waves, they closed their house up securely, and lay composedly down to rest, and as they lay they could hear a confused noise, and cries of terror, and a wild and tumultuous uproar from a mighty host, but before very long, all the loud confusion became hushed, and nothing was to be heard but the heavy rolling of the surges upon the beach; nor did the storm itself last very long--it had soon ceased.

When the next morning broke, the aged wife of Ngatoro went out of her house, and looked to see what had become of the host of Manaia, and as she cast her eyes along the shore, there she saw them lying dead, cast up on the beach. The name Ngatoro-i-rangi gave to this slaughter was Maikukutea; the name given to the storm which slew them all was Te Aputahi-a-Pawa. He gave the name of Maikukutea to the slaughter, because the fish having eaten the bodies of Manaia's warriors, only their bones, and the nails of their hands and feet, but hardly any part of their corpses, could be found.

Of the vast host of Manaia that perished, not one escaped: the body of Manaia himself they recognized by some tattoo marks upon one of his arms. Ngatoro now lighted a signal fire as a sign to his relations and warriors at Maketu that he wanted them to cross over to the island; and when his chosen band of one hundred and forty warriors saw the signal, they launched their canoe and pulled across to join their chief, and on reaching the island, they found that the host of Manaia had all perished.

Thus was avenged the curse of Mutahanga and of Manaia; however, it would have been far better if the canoe Arawa had not been burnt by Raumati, then Ngatoro and his warriors would have had two canoes to return in to Hawaiki, to revenge their wrongs, and the whole race of Manaia would have been utterly destroyed.

It would also have been far better if Ngatoro and his people had remained at Maketu, and bad never gone to Moehau; then the Arawa would not have been burnt; for from the burning of that canoe by Raumati sprang the war, the events of which have now been recounted.

---



"Red garment." The Māori god of travelers, war, life, disease, and death: Ka tu i te paepae, ka torona a Kāhukura, a Itupawa, a Rongo-mai.1 Also the god of the rainbow: Ka tu a Kāhukura i te rango, a Rongo-nui-tau ano hoki, raua tokorua.2 Kāhukura was also known as Atua-toro, "the spying god," and To-haere-roa ("Drag on a long distance"). He was worshiped in the mua, or sacred place, where stood his image of totara wood, about a cubit long, and without feet. This was brought in the Takitūmu canoe, by Rua-whārō.

Kāhukura was classed among the great and good deities, with Rehua and Tāne. He was seen after the Deluge, standing in the sky, and incantations were performed for him. His appearance foretold rain and he was consulted in planting kumura. He was sacred to the descendants of those Māoris who came in the Aotea and Takitūmu canoes. Sometimes regarded as an abstract deity.

The Moriori genealogy gives two Kāhukura: one the son of Rongo-mai and father of Tiki; the other a son of the second Rongo-mai and father of Ruanuku. Both, however, are among "the heavenly race" of ancestors.

The upper and darker band of the rainbow is called Kahukura-pango (male) and the lower band Pou-te-aniwaniwa (female). Also atuapiko, the rainbow, from atua, a deity, and piko, "bent," "crooked."
A major pūrākau of the Arawa waka tradition, connecting Ngatoro-i-rangi, Manaia, and Kuiwai. Spans Hawaiki and Aotearoa, and explains the naming of several significant places including Kaingaroa and Te Tangihanga.

The legend of Ruatepupuke

Te reo Maori
Kaore i whakaratoa
English
According to an East Coast legend, the art of carving was discovered by Ruatepupuke, the grandson of the sea god Tangaroa. Ruatepupuke’s own grandson had an insatiable appetite for kai moana (seafood) and to meet his demands, Ruatepupuke fashioned a stone into an exquisite fishing lure which he named Te Whatukura-o-Tangaroa (the sacred stone of Tangaroa).

Tangaroa was offended that his name had been used without permission, and sought revenge. When Ruatepupuke’s son, Manuruhi, tried the prized lure he caught a massive haul but did not observe the custom of offering the first fish back to Tangaroa, further aggravating the sea god. Tangaroa decided to punish his great-grandson by pulling him down to the depths of the ocean, where Manuruhi was transformed into a birdlike tekoteko (carved figure) on the top of Tangaroa’s house, Hui-te-ana-nui.

Ruatepupuke, noticing that his son was missing, followed his footsteps to the edge of the ocean and dived into the water. He came upon the underwater village and found Hui-te-ana-nui. To his amazement, the whare was covered in carvings that spoke and sang to each other. When Ruatepupuke asked about his son’s whereabouts, one of the talking poupou (carved posts) told him that the bird-shaped tekoteko of the house was Manuruhi.

Ruatepupuke hid in the house and waited for its residents, the fish people, to fall asleep, whereupon he set the house ablaze. He had time only to rescue his son and some of the poupou – which were unable to speak – from the mahau (porch). Thus the first carvings came into the world.

Many years later, Ruatepupuke’s descendants brought these examples from the legendary homeland of Hawaiki to Aotearoa, where they served as models for Te Rāwheoro, the famous whare wānanga (school of learning) established by Hingaangaroa at Ūawa (Tolaga Bay). Future students of the wānanga, such as Tūkākī and Iwirākau, spread the influence of this school throughout the East Coast and eventually beyond.